Rezension: „Aufforderung zum Tanze“ von Carl Maria von Weber
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- 4. Aufforderung zum Tanze, or the Invitation to Dance, Brilliant Rondo, for the Piano-Forte, composed by Carl Maria von Weber. Op. 65. (Paine and Hopkins, 69, Cornhill.)
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The last of these pieces, No. 4, is very pretty, very easy to execute, and has other recommendations of a minor kind; but we should not have named the original, the romantic Weber, as its author, had we been desired to guess the writer: we should rather have ascribed it to some of our own countrymen, who often assume the title of composer, in consequence of having succeeded in imitating something by somebody else, and then proved equally successful in passing it off amongst the unwary as their own. After a page of very good introduction, the rest of this piece is an extended waltz, full of suavity, and too genteel in its manner, to possess any thing that is striking or new, but very likely to find its way into a great deal of extremely good company.
Apparat
Zusammenfassung
Anlässlich der Publikation im Londoner Verlag Paine and Hopkins spricht der Rezensent dem Werk Originalität ab.
Entstehung
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Verantwortlichkeiten
- Übertragung
- Markus Bandur
Überlieferung
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Textzeuge: The Harmonicon, Bd. 3/1, Nr. 32 (August 1825), S. 137
