Tizian

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Self-Portrait, c. 1567, now housed in Museo del Prado in Madrid (Source: Wikimedia)

Image source

Wikimedia
https://en.wikipedia.org/wiki/File:Tizian_090.jpg

Basic data

  1. Vecellio, Tiziano Real Name
  2. between January 1, 1488 and December 31, 1490 in Pieve di Cadore
  3. †
    August 27, 1576 in Venedig
  4. Künstler, Maler
  5. Venedig, Bologna, Rom

Iconography

Self-Portrait, c. 1567, now housed in Museo del Prado in Madrid (Source: Wikimedia)
A Man with a Quilted Sleeve, c. 1509, National Gallery, London (Source: Wikimedia)
Sacred and Profane Love,1514, Galleria Borghese, Rome (Source: Wikimedia)
Allegory of Sacred Love (detail of Sacred and Profane Love) (Source: Wikimedia)
Assumption of the Virgin, 1516–1518; it took Titian more than two years to complete this painting in the Frari church in Venice (Source: Wikimedia)
Salome with the Head of John the Baptist, c. 1515, or Judith; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian courtesans as models. Galleria Doria Pamphilj, Rome. (Source: Wikimedia)
Bacchus and Ariadne, c. 1520–1523. National Gallery, London. (Source: Wikimedia)
Portrait of Federico II Gonzaga, c. 1529. Museo del Prado, Madrid. (Source: Wikimedia)
Pesaro altarpiece, 1521–26, Santa Maria Gloriosa dei Frari, Venice (Source: Wikimedia)
Equestrian Portrait of Charles V, 1548, Museo del Prado (Source: Wikimedia)
Self-Portrait, c. 1546–47 (Source: Wikimedia)
Venus and Organist and Little Dog, c. 1550. Museo del Prado, Madrid. (Source: Wikimedia)
The Rape of Europa c. 1560–1562, Isabella Stewart Gardner Museum, is a bold diagonal composition that Rubens admired and copied. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colours, and vibrant brushstrokes. (Source: Wikimedia)
Pietà, c. 1576, his last painting. Gallerie dell'Accademia, Venice. (Source: Wikimedia)
Tomb of Titian in Santa Maria Gloriosa dei Frari, Venice (Source: Wikimedia)
Drowning of Pharaoh's Army in the Red Sea, 1515–17, woodcut, 221.5 cm wide (Source: Wikimedia)
The Allegory of Age Governed by Prudence (c. 1565–1570) is thought to depict (from left) Titian, his son Orazio, and his nephew, Marco Vecellio. National Gallery, London. (Source: Wikimedia)
Diana and Actaeon, 1556–1559. National Galleries of Scotland, Edinburgh. (Source: Wikimedia)
Woman with a Mirror, c. 1515, Louvre.[53] (Source: Wikimedia)
Bildnis des Tiziano Vecellio, Riedel, Karl Traugott - 1818/1832 (Quelle: Digitaler Portraitindex)
Bildnis des Titian, 1857/1861 (Quelle: Digitaler Portraitindex)
Bildnis des Tiziano Vecelli, Riedel, Karl Traugott - 1818/1832 (Quelle: Digitaler Portraitindex)
Bildnis des Tiziano Vecellio, Riedel, Karl Traugott - 1818/1832 (Quelle: Digitaler Portraitindex)
Bildnis des Titiano Vccello, Joachim von Sandrart (der Ältere) - 1675 (Quelle: Digitaler Portraitindex)
Bildnis des Tiziano Vecelli, Cosimo Colombini - 1752/1812 (Quelle: Digitaler Portraitindex)
Bildnis des Titian, 1550/1800 (Quelle: Digitaler Portraitindex)
Bildnis des Titiano Vecellio, Giovanni Georgi - 1617/1656 (Quelle: Digitaler Portraitindex)
Bildnis des Tizian Vecelli, Georg Christoph Kilian (zugeschrieben) - 1724/1781 (Quelle: Digitaler Portraitindex)
Bildnis des Titiano Uccello, 1675 (Quelle: Digitaler Portraitindex)

Documents

Biographical information from the WeGA

No biographical data found

Biography not available due to one of the following causes:

  • Data will be added at a later stage
  • Research of the WeGA was without success so far
  • It is a well known person where enough information is available online elsewhere, see e.g Wikipedia

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